Quick tips for submission formatting

July 19, 2009 in General Topics

Word is still the defacto office application, and I use it in my writing. However, the application can make life harder than it needs to be when prepping a sub.

I’ve learned how to prep a sub better over time, and figured it might help sharing these tips here. I’m going to follow each hypothetical editor’s submission guideline with how to format said text:

“We need a blank line between paragraphs.”

In Word, do a find and replace. You want to replace all instances of ^p with ^p^p. Make sure to only have the story’s text selected.

“We only want documents in rich text format.”

I imagine most of you will know how to do this, but for the non-tech-savvy out there, use the “save as” function in Word to save the document as “rich text format”. For each tales submissions folder, I like to have a separate sub-folder called “alternate versions”. This is where I park all those versions I’ve created before to match an editor’s specific style request, like 12-point font, anything other than courier–and hot pink wingdings center-justified.

“We want submissions pasted in the body of an e-mail.”

I’ll make no secret of the fact that this is a royal pain to the writer, but if it makes the customer happy, so be it. They have their editorial system down and we must adhere to it.

To do this, first make sure your e-mail client is sent to plain text. I use gmail for everything I do now (no local items to restore in the case of a disk loss), and if you are as well you can find the option when you’re composing a new message. To the right of the formatting bar, simply click “Plain Text”.

Next, you’ll need to manually indent your cover letter with spaces instead of tabs (at least for gmail). Then you get into pasting the story, which is where the fun really starts.

Open your document up and select the story’s text. Use the find and replace for blank lines between paragraphs, as stated above, if the market requires it.

Note, however, that if you paste the text in like this, you’ll see some tabs carry over, but many won’t, leaving ugly text. To solve this, replace all tabs in the source text of the story with five spaces. You can do this by doing a find and replace on the selected text with ^t getting replaced by five manual spaces.

I’ve yet to find a way to easily replace underlining for emphasis, which is lost when the text is pasted over, so I usually have to do a manual compare between the source text and the e-mailed story text. When that’s done, you’re finally ready. Even then, things might not come out perfect, but I’ve never seen an editor that doesn’t respect the effort involved.

Don’t forget to avoid saving changes to your text.

Some might point out that you could create macros to do all this functionality. I’d be worth a shot, but I can’t help but wonder if you and the other editors that eventually get your regular attachments would be dogged by macro warnings.

Hope this helps anyone out there struggling with this.

Stay tuned.

Listen to “Eee”, currently live on Well Told Tales

June 11, 2009 in General Topics

Swim on over to welltoldtales.com, the excellent pulp fiction podcast, and have a listen to “Eee”, which was originally published on Afterburn SF back in ’07.

Despite focusing almost all my energy on “The Tyrant Stratagem”, it’s nice to be able to get the occasional short fiction piece out there in the wild. And “Eee” has found a fine second home in editor Kevin Colligan’s podcast. Special thanks also go to the reader, Eleiece Krawiec.

Stay tuned.

Update coming soon….

June 9, 2009 in General Topics

Just a heads-up that life has been interfering lately, as it often does, and I’ve been so busy with the novel and my short fiction that I haven’t had the chance to get here and update this blog as much as I’d like. But I will post a more thorough update soon.

Stay tuned.

Submit Now…

April 26, 2009 in General Topics

One of the biggest pains in my writing life is submitting fiction. For those of you that might be new to writing, I highly recommend the use of a spreadsheet to track your submissions. A simple excel sheet makes like much easier in this regard.

In my case, the sheet has all the necessary fields I’ve come to rely on when submitting work:

  • Story Name
  • Count — word count
  • Incept Date — the date I first considered the tale “finished” and ready for submission
  • Current Status (Rights Sold) — with a drop-down menu for draft (1st through 3rd, not counting requested rewrites), Pending Acceptance / Awating Rewrite, and my personal favorite — Accepted! Note the exclamation point, friendly editors…
  • Submitted To:
  • Date Submitted:
  • Check Back: — an important field. Basically, I take “date submitted”, add the magazine’s estimated response time, and add or subtract any “modifiers” in time, such as the extra month I typically give a mag on top of what they request. Some magazines don’t like modifiers — I think it was Strange Horizons that simply says “We really mean, this isn’t an estimate” when it comes to their reply times. Other magazines — like Clarkesworld — get an estimate, but they rock so hard I never have to worry about following up before they send on their decision.
  • # Rejected: — I find on average my tales get rejected about six to ten times before someone takes it. It’s been as low as two hops in one case, but as high as sixteen in another.
  • Rejected By: — Here I list magazines that have seen the piece, whether they’ve bought it or otherwise, so I’ll know not to pester them with it again.

That’s really all there is to it. I’ve other useful worksheets in the spreadsheet, such as “Retired Stories” and “Sales Records” (which helps me track rights sold), but this is all basic, simple, and a must if you’re tracking say, fifteen active tales like I am at the moment.

Of course, as an editor you could always make my workload easier. I’ve many decent pieces of fiction. Won’t you consider buying some?

😉

Stay tuned.

“The Tyrant Strategy”

March 29, 2009 in General Topics

( 4/30/2011: This post below, made over a year back, describes my novel, The Tyrant Strategem The Tyrant Strategy, which I’m currently shopping around. A lot has changed since I made this post, but the goal is the same: I’m looking for representation for a tale with million-dollar characters. Do drop me a line if I’ve peaked your interest.)

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If you’ve followed this blog, you might wonder why I’ve been so quiet lately. The short answer is, I’ve been busy.

Interested in the long answer? It’s been a busy several months in my personal and professional life. We’ve cut back on staff where I work, which is symptomatic of the economy, and I’ve become the sole member of what once was a two-person team, and I’ve been merged with another group, taking on several old and new responsibilities there. I’ve been rabidly undergoing a series of home labs and study projects while I pick up much greater proficiency in T-SQL, which is a back-end language utilized by Microsoft’s line of database products. I’m learning quickly, but it’s the result of hard work and aggressive projects at my job. This is fine, of course, but there goes more time.

Back in February, I also had elective surgery to resolve a lovely spinal condition that had been plaguing me for the better part of a year. I’m still not fully healed-up.

To top it off, there’s still the mundane stuff, like submitting fiction (still chasing my first pro sale — hoping for this year) and the non-mundane stuff, like the novel I’ve been writing.

The piece is called The Tyrant Strategem (Jonathan: The Tyrant Strategy). It is the first in a three-part series. I have outlined everything that happens in all three novels in a ginormous outline. Character development is the core emphasis of this work, and what happens at the end is so specific and deliberate that I simply wanted to give this tale, this new universe, the best treatment I can. I’m about twenty-five thousand words into it. It’s a blend of dark character drama, thriller, and military action. I know that, no matter what, I will have bagged at least my twelfth fiction sale by the time I start agent-shopping with this work. I’ve other finished novels to my name, but this will be the first I’ll really start shop around.

So I’m busy. I’m still going to be updating here now and then, but I can’t promise you’ll hear from me more than once a month. It’s a short-term sacrifice to sink more time into the single work that deserves everything I can put into it. I believe in this piece. I think it could be the start of something big. Now I need only complete it and find an agent that believes in it as well.

Thanks for reading, everyone out there.